Soon on the blog we are going to start doing some D-I-Y posts, to give you some ideas of small things that you can do yourself to add small (or big!) personal touches to your bedroom, your studio, your whole house!
We will also be announcing some workshops too, including dying pattern techniques, pompom making and paper decoration making.
If you'd like to receive emails with details about these workshops before anyone else, then please sign up to our mailing list here.
Showing posts with label home wares. Show all posts
Showing posts with label home wares. Show all posts
Monday, 26 January 2015
Lulu Hankin - StudioUp
Our next maker that we want to tell you about is Lulu Hankin, designer and maker creating work under the name StudioUp. Lulu's work combines beautiful traditional textile manipulation, alongside more unconventional components such as copper piping. We wanted to know what is behind her contrasting use of materials.
What is the overriding theme or drive behind your work?
To combine these three aspects:
Geometric
Minimal
Texture
What draws you to work with interiors and furniture?
Being able to physically create something that when placed in a space can completely alter it.
What are you favourite materials to work with and why?
I’ve become really fond of copper pipe recently, the way it changes colour the more you handle it, aging quickly in front of you. The simplicity of only having a few types of fittings to work with which the dictate the shapes you can produce and design.
What materials or processes are you interested in exploring next?
I really want to start expanding into weaving & macramé so I can utilize more textures in my pieces.
What is the best part of being immersed in a community of artists and makers?
Pushing me forward.
Who are some of your favourite artists and makers?
François Morellet is always at the top of my list, after seeing his reinstallations exhibit at the Centre Pompidou in 2011, I completely fell in love with his light instillations, geometric forms, the simplistic patterns and grids he creates and mainly the use of constraints & rules that he sets himself. Morellet’s work is probably the main influence for my own designs and work structure.
Also my pals over at London Cloth Company are a constant inspiration, they seem to be relentlessly creating & expanding, having spent some time with them last year I realized the magnitude of what they are doing & how important it is. They are basically rescuing & protecting textile history. Try and beat that!
You can see more of Lulu's work on our website.
StudioUp is based at Islington Mill in Salford.
Texture
What draws you to work with interiors and furniture?
Being able to physically create something that when placed in a space can completely alter it.
What are you favourite materials to work with and why?
I’ve become really fond of copper pipe recently, the way it changes colour the more you handle it, aging quickly in front of you. The simplicity of only having a few types of fittings to work with which the dictate the shapes you can produce and design.
What materials or processes are you interested in exploring next?
I really want to start expanding into weaving & macramé so I can utilize more textures in my pieces.
What is the best part of being immersed in a community of artists and makers?
Pushing me forward.
Who are some of your favourite artists and makers?
François Morellet is always at the top of my list, after seeing his reinstallations exhibit at the Centre Pompidou in 2011, I completely fell in love with his light instillations, geometric forms, the simplistic patterns and grids he creates and mainly the use of constraints & rules that he sets himself. Morellet’s work is probably the main influence for my own designs and work structure.
Also my pals over at London Cloth Company are a constant inspiration, they seem to be relentlessly creating & expanding, having spent some time with them last year I realized the magnitude of what they are doing & how important it is. They are basically rescuing & protecting textile history. Try and beat that!
You can see more of Lulu's work on our website.
StudioUp is based at Islington Mill in Salford.
Labels:
design,
hand made,
home wares,
independent,
interiors,
makers,
StudioUp,
textiles
Tuesday, 13 January 2015
Introductions...
Hi!
So I thought that it was time to give a little bit of background and context to Covet, to explain a bit more about what it is and why it is...
At the moment, Covet is just me... Mariel, although there are select pieces on the website that are made by other artists and designers, the site and brand is run by me.
Inspired by the wealth of creativity and productivity of the independent artists and makers around me, I wanted to create a place where people can look at and buy pieces for every aspect of their home - for comfort, beauty and unique styling. Being based at Islington Mill in Salford means that I am surrounded by people whose work I genuinely want to fill my home with, and more specifically, the way that their aesthetics all work together is very important to me. I asked illustrators Aliyah Hussain and John Powell-Jones, textile printer and upholsterer StudioUp, framer Manchester Framing Company, and concrete fixtures maker Constructions by CSH, if they would be involved from the launch, and luckily they all loved the idea! I felt like my home ware pieces and their art work and furniture would go so perfectly well together to style a home, that Covet seemed to come together quite organically.
As for me, I have a background in 3D textiles, prop making, still life styling and costume, and the need for hand made processes in my work is incredibly strong. Recently I have been drawn to a lot of Melbourne based makers and designers, and it has unleashed a use of colour within my practice that I thought had died long ago. Creating unique textiles for the home feels like a really great place to explore texture and colour together, as it gives personality and warmth to the space in your life that is the most personal to you.
For the first Covet collection, I have started from scratch with just white fabric, dying and hand painting all of my fabric, and hand making all of the trims. I really love very textural and intriguing pieces, and I also place a high importance in the skills of craft and the hand made. Because of this, it is my intention that Covet will always have this tactility and care within the pieces and the designers that are chosen for the site too.
So. Our manifesto.
The most important things about Covet, that make it what it is.
You can also follow us on instagram, Facebook and Twitter.
We are currently looking for stockists, so if you would like to stock our products, please get in touch!
So I thought that it was time to give a little bit of background and context to Covet, to explain a bit more about what it is and why it is...
At the moment, Covet is just me... Mariel, although there are select pieces on the website that are made by other artists and designers, the site and brand is run by me.
Inspired by the wealth of creativity and productivity of the independent artists and makers around me, I wanted to create a place where people can look at and buy pieces for every aspect of their home - for comfort, beauty and unique styling. Being based at Islington Mill in Salford means that I am surrounded by people whose work I genuinely want to fill my home with, and more specifically, the way that their aesthetics all work together is very important to me. I asked illustrators Aliyah Hussain and John Powell-Jones, textile printer and upholsterer StudioUp, framer Manchester Framing Company, and concrete fixtures maker Constructions by CSH, if they would be involved from the launch, and luckily they all loved the idea! I felt like my home ware pieces and their art work and furniture would go so perfectly well together to style a home, that Covet seemed to come together quite organically.
As for me, I have a background in 3D textiles, prop making, still life styling and costume, and the need for hand made processes in my work is incredibly strong. Recently I have been drawn to a lot of Melbourne based makers and designers, and it has unleashed a use of colour within my practice that I thought had died long ago. Creating unique textiles for the home feels like a really great place to explore texture and colour together, as it gives personality and warmth to the space in your life that is the most personal to you.
For the first Covet collection, I have started from scratch with just white fabric, dying and hand painting all of my fabric, and hand making all of the trims. I really love very textural and intriguing pieces, and I also place a high importance in the skills of craft and the hand made. Because of this, it is my intention that Covet will always have this tactility and care within the pieces and the designers that are chosen for the site too.
So. Our manifesto.
The most important things about Covet, that make it what it is.
- Curating textile products, interior design and artwork together - Covet helps you style your home, not just furnish it.
- Concentrating on sumptuous texture and intriguing designs.
- Focusing on the value and importance of craft and the hand made.
- Supporting and promoting the work of inventive independent makers and designers.
You can also follow us on instagram, Facebook and Twitter.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
We are currently looking for stockists, so if you would like to stock our products, please get in touch!
Labels:
artists,
design,
home wares,
independent,
interiors,
makers,
styling,
textiles
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